A poem is like a butterfly. A moment seeds itself inside us. A memory.
An experience when we saw, we felt, perhaps even, we knew.
It touches deep in us. Deeper than words. And something begins, in that
inner space.
Something that is uniquely ours, to speak of.
Creativity is naturally a process of incubation and birth. The service of
CHRYSALIS is to assist and guide you in this process.
Chrysalis is a non-academic, critically affirmative approach designed to
respond to the needs of each individual person.
Chrysalis aims to honour and empower your own unique experience. All you
need is a commitment to yourself.
Over the past few months your course notes have led me along a path which
has proved to be a most enlightening experience: an increased awareness
. . . a real opening up.'
K.N., England
'I wouldn't have written these poems if it hadn't been for the stimulus
of this course, so thanks.'
R.A., England
'I love your course, it has so much heart in it.' K. MacN., Australia
'This is the direction I would like to go in now and you have helped to
clarify that. With your reassurance I now have the conviction once more
that I must follow this creative path, and I am full of enthusiasm.' P.P.,
England
'The course is wonderful. The exercises inspiring. Not only for writing
poems, but also for self-development . . .' K.V., Norway
'Thank you so very much for everything you did. More than the course itself,
you have brought me full circle to my Christian roots. I return a wiser
and more expanded human being and know that I never left in the first place.'
E.W.-D., England.
'Chrysalis has been a painful deepening-as all births are-a deepen ing into
life. I am very grateful to you.' L.C., Arizona, U.S.A.
'Anyway, thank you for month 9. It's a great relief to get away from Eng.
Lit. A level. You go way beyond all that crap. You aren't afraid to face
and talk about ultimate things.' E.S., Singapore
'It was very affirming for me to meet with you when I did, and hear what
you had to say, not just in words, but in who your are and your poems .
. .' M.S., Ireland
I started writing by the sea, while I was revising for finals. I left
Oxford, with a B.A. HONS in English, in 1980 and came to London as an unknown.
I started ANGELS OF FIRE there, and as a collective backed by City Limits
we subsequently staged four major festivals (1983-1988), the third of which
was featured on BBC2.
In 1983, I was editing The Third Eye; in 1985 my first published book Psychic
Poetry-a manifesto came out from The Diamond Press. Chatto & Windus
then commissioned our anthology Angels Of Fire-an anthology of radical poetry
in the '80s. At the same time, my interest was moving towards healing and
spirituality and during 1986-7 I completed Foundation Year in Psychosynthesis
at the London Institute.
In 1988, the first five books of my main work The Great Return were published
in a two-volume Standard Edition, along with The White Poem with photographs
by Carole Bruce, and my own anthology Transformation- the poetry of spiritual
consciousness. In 1989 my own journey took me deeper-Strange Days was the
result; and before I finally left London, in 1990, I started CHRYSALIS,
with an E.A.S. grant. Since then, living in the Stroud area community, I
have co-translated the new Tao Te Ching (Element Books), released a C60
tape Thread of Gold with composer Rosemary Duxbury, completed my longest
poem 'Pilgrimage', and collaborated on the new I Ching (Harper Collins,
1995); as well as giving sessions, lectures and workshops, here and abroad,
and writing prose.
I grew up in New Guinea and Australia (Tasmania), studying English, French
and Comparative Religion at the University of Melbourne before moving to
England in 1969 where, while working and living in various different places,
I also studied the Mythology of Britain (with Ross Nichols, Chief Druid,
OBOD), astrology (for many years), and got a teaching diploma in Knitted
and Woven Textiles from the London College of Furniture. I now live in Gloucestershire
and have three children. In 1992 l co-founded a women's shamanic group near
Stroud with Jan Morris, with whom I run classes and experiential workshops
with a shamanic approach under the name of Different Drum. I wrote poetry
as a child, and returned to it in my twenties. My work has been published
in poetry magazines like Outposts, Ore, and in Resurgence, and is appearing
in two anthologies to be produced in the next year. At present I'm organising
the publication of my first collection, Giveaway.